Sabtu, 23 April 2016

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July 2013 updated version of Jeppesen's Instrument / Commercial textbook.

  • Sales Rank: #231479 in Books
  • Published on: 2013
  • Number of items: 1
  • Dimensions: 9.20 pounds
  • Binding: Paperback

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Selasa, 22 Maret 2016

PDF Download Out of Darkness, by Ashley Hope Pérez

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Out of Darkness, by Ashley Hope Pérez

From School Library Journal

Gr 9 Up—The tale's layered plot begins with a prologue set hours after an actual deadly U.S. school disaster in New London, TX in March 1937. Readers are plunged into the grief and horror of the moment long enough to meet important protagonists and wonder at the event before being transported back to September 1936. From this point, the book focuses primarily on Naomi, a 15-year-old of Mexican heritage, and her younger biracial twin half-siblings. Recent arrivals from San Antonio, the children are all living with the twins' white father, and Naomi is forced to navigate the racially divided oil-mining town, learn to run a household, and to face her increasing interest in an African American youth. This third person story, recounted in multiple perspectives, slowly discloses the origins of the teen's apprehension for the recent transition. The insertion of black-and-white photos and stark black pages interrupt the narrative much like the metaphoric explosions in the lives of the diverse protagonists. Additionally, an increased use of white space leading to the book's climax seems to slow, and almost stop time. This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory. The author's note and acknowledgements pages give more background on the disaster. VERDICT Set against the backdrop of an actual historical event, Pérez's young adult novel gives voice to many long-omitted facets of U.S. history.—Ruth Quiroa, National Louis University, IL

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Review

"A Mexican girl and a black boy begin an ill-fated love in the months leading up to a catastrophic 1937 school explosion in East Texas. The powerful story opens with the legendary school explosion in New London and then rewinds to September 1936. Naomi has begrudgingly left behind her abuelitos in San Antonio for a new life with her younger half siblings, twins, and their long-absent white father, Henry. Now a born-again Christian, Henry struggles to atone for his sins. The siblings struggle to fit into the segregated oil town, where store signs boast 'No Negroes, Mexicans, or dogs.' The precocious twins read better than half the senior class, and dark-skinned Naomi is guilty of not only being Mexican, but also of being 'prettier than any girl in school.' Their one friend is Wash, a brilliant African-American senior from the black part of town. Pérez deftly weaves multiple perspectives―including Henry and 'the Gang,' the collective voice of the racist students―into her unflinchingly intense narrative, but the story ultimately belongs to Naomi and Wash. Their beautifully detailed love story blossoms in the relative seclusion of the woods, where even stepfathers can't keep them apart. But as heartbreaking events unfold, the star-crossed lovers desperately hope that any light can penetrate the black smoke cloud of darkness spreading around them. A powerful, layered tale of forbidden love in times of unrelenting racism."―starred, Kirkus Reviews (Journal)"The novels that burn into our minds as young adults often involve horror of some kind. A mere mention of All Quiet on the Western Front or I Am the Cheese, and I'm right back to brooding again in the ocean-deep emotions of my adolescence. What is that urge, the desire to soak in anguish and injustice as we come of age? Whatever it is, Ashley Hope Pérez's new novel, Out of Darkness, fills the need. Her layered tale of color lines, love and struggle in an East Texas oil town is a pit-in-the-stomach family drama that goes down like it should, with pain and fascination, like a mix of sugary medicine and artisanal moonshine. I actually had to close the book at one point to seek respite with Facebook. And puppies. When I dove back in a few days later, it was hard not to marvel at the book's potency. Pérez, who has spent much of her career teaching, sets her story against the 1937 New London school explosion, the worst school disaster in American history, which killed 294 people. But the blast is only one of this book's horrors, and not the one that hurts the most. Her story is about race―about gradients and forbidden crossings. Our guide is Naomi, who starts out seeming no more than 13 but who could be as old as 18 (one of the book's distractions is its loosey-goosey approach to age). She's defined as Mexican in the Texas of her era, and though she is bilingual and attractive, she is darker-skinned than her two younger half siblings, Beto and Cari, who have a white father named Henry who has just called them all to New London. Their mother, Estella, has died. Henry has convinced Naomi's grandparents that he can give all three children a better life in the scrum of an oil boom, with a new school where students receive band instruments, sports uniforms and new books. Beto and Cari, who are twins, thrive. They can pass as white. Naomi struggles. Though allowed to attend the school, she is just another 'dirty Mexican,' rebuffed by whites and turned into a housekeeper by Henry. There is only one person who keeps Naomi from despair: Wash, a black boy who fishes at a bend in the river that the twins adore. Cari, confident and mischievous, and Beto, more contemplative, take to him first. We are meant to believe the twins are too young to notice the racial dynamics around them, though they are old enough to read―a proposition that at times stretches credulity. Wash, while drawn with charm and verve, also seems a little too ideal; one too many of his apparent flaws turn out to be a virtue. But what works are the relationships between Wash and Naomi and Wash and the twins. Out of Darkness nurtures their connections with approachable prose, letting the characters glide between childhood and all that follows. Naomi and Wash find a private place to work out their emotions and urges. All of which makes the final third of the book so hard to bear. Naomi and Wash are happy alone, for a spell. But Wash is a charismatic son of strict strivers―his parents have made no secret of their expectation that he go to college―and he cannot fully ignore the racism around him. One of the most ominous scenes occurs when Wash and his father visit New London's white school superintendent with a plan to save money for their struggling school. While Wash speaks up with measured boldness, his father, an otherwise proud man, glares at his son and turns submissive. 'What my son means to say is that we're keen on improving the level of education at New London Colored School,' he tells the superintendent. 'Sure want to be a credit to the county.' Given the current experience of race in America, in which black Americans continue to be killed after questioning white authorities or fleeing, the exchange is an acute reminder that race has always been a function of power, as recent books by Ta-Nehisi Coates and others have driven home. Indeed, escaping from the forces that have shaped the United States for centuries proves impossible for Naomi, for Wash, for the twins and for Henry. The end of the book careers from one threat to another, but the conclusion is never in doubt: New London blows up, shudders and collapses. A tragedy, real and racial, swallows us whole, and lingers."―The New York Times Book Review (Newspaper)"The tale's layered plot begins with a prologue set hours after an actual deadly U.S. school disaster in New London, TX in March 1937. Readers are plunged into the grief and horror of the moment long enough to meet important protagonists and wonder at the event before being transported back to September 1936. From this point, the book focuses primarily on Naomi, a 15-year-old of Mexican heritage, and her younger biracial twin half-siblings. Recent arrivals from San Antonio, the children are all living with the twins' white father, and Naomi is forced to navigate the racially divided oil-mining town, learn to run a household, and to face her increasing interest in an African American youth. This third person story, recounted in multiple perspectives, slowly discloses the origins of the teen's apprehension for the recent transition. The insertion of black-and-white photos and stark black pages interrupt the narrative much like the metaphoric explosions in the lives of the diverse protagonists. Additionally, an increased use of white space leading to the book's climax seems to slow, and almost stop time. This book presents a range of human nature, from kindness and love to acts of racial and sexual violence. The work resonates with fear, hope, love, and the importance of memory. The author's note and acknowledgements pages give more background on the disaster. VERDICT: Set against the backdrop of an actual historical event, Pérez's young adult novel gives voice to many long-omitted facets of U.S. history."―starred, School Library Journal (Journal)"The beauty of Perez's prose and her surefooted navigation through the dangerous landscape of the East Texas oil field in the late 1930s redeem the fact that anyone who dares read this agonizing star-crossed love story will end up in about six billion numb and tiny pieces. Absolutely stunning." ―Elizabeth Wein, author of Code Name Verity and Michael L. Printz Award Honoree (Other Print)"Pérez's latest―following What Can't Wait (2011)―is a powerful work of historical fiction set in New London, Texas, that revolves around events leading up to the horrific 1937 school explosion that killed close to 300 people. This gripping story centers on high-school senior Naomi, a Mexican American girl who recently arrived from San Antonio with her half siblings, twins Beto and Cari, and their father, oilfield worker Henry. Naomi's struggle to learn how to take care of the household chores is complicated by her dark past with Henry and the overt racism she faces in the segregated town. She reluctantly befriends and then falls in love with an African American boy, Wash, who is both brilliant and kind to her younger brother and sister. Pérez's skillful use of multiple perspectives creates a full and well-rounded sense of place and story. Elegant prose and gently escalating action will leave readers gasping for breath at the tragic climax and moving conclusion."―Booklist (Journal)

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Product details

Hardcover: 408 pages

Publisher: Carolrhoda Lab ® (September 1, 2015)

Language: English

ISBN-10: 1467742023

ISBN-13: 978-1467742023

Product Dimensions:

6.3 x 1.6 x 9 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

115 customer reviews

Amazon Best Sellers Rank:

#85,287 in Books (See Top 100 in Books)

This author is one of a kind. I have enjoyed all three of her books and this one was no exception. The fact that I live in East Texas makes the setting personal. My family has similar stories of people just as bad and just as good as these characters. As always, I was riveted and never expected it to end like it did. Mrs. Perez knows how to make the characters come to life and knows how to keep you invested in the story. She always shocks and surprises you. She deserves the award she won for this book and deserves more recognition than she is getting.

This was a raw and graphic novel, filled with as much abuse and hatred as there was love and hope. It was beautifully written, with lyrical descritpions, and the characters were fleshed out and realistic. There was sexual content, both consensual and forced, though not described in gratuitous detail. There was also an abundance of racial slurs and violence, again central to the story. Overall, very well-written and heartbreakingly realistic. I would not recommend this to younger teens.

I'm still raw from reading this book. A young Mexican girl who lost her mother due to childbirth is sent with her brother and sister (twins) from her grandparents' home to East Texas to live with her stepfather (the Twins' father). He is not a great guy to Naomi, but the twins like him. The siblings all meet Wash, an African American who is awesome and caring, and they all make a strange, happy family. But this is the 1930's, and the relationship is not accepted. At all. And then bad happens.The story is set around the New London elementary school explosion, which I knew nothing about. But apparently it is the deadliest school disaster in America. And it was gruesome. This is not a light read, and there are some very adult situations, but it is a book that exposes more of the country's racial cruelty to anyone who is not white. This book definitely goes in the We Need Diverse Books shelf.

An amazing book. Stories and characters and timelines weaved together so perfectly that I couldn't put it down and finished the whole thing in a few hours, needing to know so badly how it ended. I recommend this book to everyone now. It left me in tears at the end but should be a required read for anyone who wants to understand more about racism in the south and also loves fully developed characters that make you miss them at the end of the book. So wonderful.

This story is absolutely stunning. The prologue sets you up with a sense of dread that pervades the novel. However, the incredible tenderness of the protagonists also gives you hope that somehow some goodness can be salvaged. The tragedy of this story is of Shakespearean proportion. Honestly. There is potent violence and racism depicted here, along with sexuality, but an extraordinary read for mature teen readers and adults.

An utterly beautiful, haunting book. Viscerally real characters and a rich, detailed setting . The story is an unflinching look at a tragedy wrought by racism and misogyny, and yet it still shows how love can provide light and meaning in the very darkest of times. This is one that will stay with you long after you've read the last page.

This was brutal in so many ways. Well done, but definitely not an easy book to read or recover from.The New London school explosion is a key event in the book, but that's not really what it's about.I liked the structure of shifting among the different characters in short sections. Sometimes the pacing was a little odd, but it worked overall.

I figured I'd be settling in with this thick book for at least a week, but I blazed through it in three days. Perez keeps the story moving with short chapters told in alternating points of view and mounting tension. OUT OF DARKNESS is a beautiful novel about ugly things - rascism, sexual abuse, and the aftermath of a horrible explosion, a real life historical event which I'd known nothing about. It's also hopeful and redemptive.

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Senin, 21 Maret 2016

PDF Download Architecture and Interior Design: An Integrated History to the Present (Fashion Series)By Buie Harwood, Bridget May, Curt Sherman

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Architecture and Interior Design: An Integrated History to the Present (Fashion Series)By Buie Harwood, Bridget May, Curt Sherman

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Architecture and Interior Design: An Integrated History to the Present (Fashion Series)By Buie Harwood, Bridget May, Curt Sherman


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Architecture and Interior Design: An Integrated History to the Present (Fashion Series)By Buie Harwood, Bridget May, Curt Sherman

Architecture and Interior Design: An Integrated History to the Present  provides a survey of architecture, interiors, furniture, and decorative arts from the past to the present. It is a completely integrated and interdisciplinary reference for: architecture, architectural details, architectural surface treatments, space planning, interior design, interior architectural features, interior surface treatments, motifs, furniture, color, lighting, textiles, and decorative accessories.

 

The unique scope allows comparison in all areas of the built environment through the centuries to illustrate historical, social, cultural, and stylistic influences. Narrative and graphics interweave design analysis with architectural and design history.

  • Sales Rank: #146850 in Books
  • Published on: 2011-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.10" h x 1.60" w x 9.20" l, 5.25 pounds
  • Binding: Hardcover
  • 912 pages

From the Back Cover

ARCHITECTURE AND INTERIOR DESIGN: AN INTEGRATED HISTORY TO THE PRESENT

______________________________________________________________________________________

 

                   Buie Harwood, FIDEC, Honorary FASID, Certified Interior Designer, Virginia

                                                    Bridget May, Ph.D., IDEC, ASID

                                                        Curt Sherman, FIDEC, ASID

                                                                             

                                                                             

                        This volume presents a survey of architecture, interiors, furniture, and the

                           decorative arts from the beginning of recorded history to the present.

                                                                             

                                It is a complete, integrated, and interdisciplinary reference for:

________________________________________________________________________________

 

• architecture                                        • interior design                               • color

• architectural details                             • interior architectural features         • lighting

• architectural surface treatments           • interior surface treatments             • textiles

• space planning                                    • furniture                                       • decorative arts

________________________________________________________________________________

 

The unique scope allows comparison in all areas of the built environment through the centuries to illustrate historical, social, cultural, and stylistic influences. Narrative and graphics interweave design analysis with architectural and design history.

 

Innovations:

> The text has various categories that address Historical & Social developments, Concepts, Design Characteristics & Motifs, Architecture, Interiors, and Furnishings & Decorative Arts.

> Descriptive spotlights of numerous buildings, interiors, and furniture assist in additional study.

> Graphic material features a wide diversity of 1800 illustrations, many well-known and some less common.

> Color photographs throughout the book expand the visual resources required for period study.

> Design diagramming highlights major design features allowing the reader to make visual connections between the content.

> An extensive Glossary, Bibliography, and Index offer flexibility and ease of use.

> A comprehensive CD contains many of the illustrations in the book, as well as specifics on Important Buildings and Interiors, Important Treatises, Design Practitioners for each chapter.

About the Author

Buie Harwood, FIDEC, Honorary FASID, Certified Interior Designer in Virginia; Professor Emeritus and past Department Chair, Department of Interior Design, School of the Arts, Virginia Commonwealth University (for programs in Richmond and Doha, Qater). Ms. Harwood has held officership and committee responsibilities in the Interior Design Educators Council (IDEC), National Council for Interior Design Qualification (NCIDQ), American Society of Interior Designers (ASID), and Foundation for Interior Design Education Research (FIDER; now called the Council for Interior Design Accreditation/CIDA). Among her many honors, she is an IDEC Fellow, received the first ASID Educator of Distinction Award in 2003, and is listed in Who's Who in Interior Design, the International Directory of Distinguished Leadership, and Who's Who Among America's Teachers. She has received numerous grants, published articles, and implemented research projects related to her historic research and the interior design career path. She is co-author (with B. May and C. Sherman) of Architecture and Interior Design, through the 18th century: An Integrated History, which won the prestigious ASID Education Foundation/Joel Polsky award in 2002, and their second volume, Architecture and Interior Design, from the 19th century: An Integrated History which was published in June 2008. Her book, Decorating Texas: Decorative Painting in the Lone Star State from the 1850s to the 1950s, won awards from the American Association of State and Local History and the San Antonio Conservation Society. She has studied in the Victorian Society Summer Schools at both Rhode Island and England.

 

Bridget May, Ph.D, IDEC, ASID; Professor and former Chair of Interior Design, School of Arts and Sciences, Marymount University. Dr. May has held office and committee responsibilities in the Interior Design Educators Council (IDEC), and been active in the American Society of Interior Designers (ASID). Her many honors include a Benno M. Forman Fellowship for Research in American Material Culture at Winterthur Museum and Library and a one semester sabbatical at Marymount University. She has been listed in Who's Who in Interior Design and Who's Who in American Women. She has had many presentations, publications, and grants related to historic interiors, including one for a furnishings plan for a National Trust Historic Preservation house as well as a 2008 IDEC Special Projects Grant for a design history symposium (with John Turpin). She is co-author (with B. Harwood and C. Sherman) of Architecture and Interior Design, through the 18th century: An Integrated History, which won the prestigious ASID Education Foundation/Joel Polsky award in 2002, and their second volume, Architecture and Interior Design, from the 19th century: An Integrated History which was published in June 2008. She has studied at the Victorian Society Summer School in Rhode Island and at the Winterthur Summer Institute in Delaware.

 

Curt Sherman, FIDEC, ASID; Professor Emeritus, Department of Art and Design, College of Visual and Performing Arts, Winthrop University. Mr. Sherman has held officership/committee responsibilities in the Interior Design Educators Council (IDEC), American Society of Interior Designers (ASID), and Foundation for Interior Design Education Research (FIDER/now called the Council for Interior Design Accreditation/CIDA), and has given numerous ASID and IDEC workshops. Three interior design programs in universities were accredited under his chairmanship. Among his many honors, he is an IDEC Fellow and is listed in Who's Who in Interior Design. He has won prestigious awards for his photography and furniture design, and has had his photography work included in several publications, including books on historic interiors. He is co-author (with B. Harwood and B. May) of Architecture and Interior Design, through the 18th century: An Integrated History, which won the prestigious ASID Education Foundation/Joel Polsky award in 2002, and their second volume, Architecture and Interior Design, from the 19th century: An Integrated History which was published in June 2008. He has also worked on several historic interiors projects and studied at the Attingham Summer School in England as well as programs sponsored by the National Trust for Historic Preservation and the Smithsonian Institute.

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Sabtu, 12 Maret 2016

Ebook Download The History of Ancient PalestineBy Gosta W. Ahlstrom

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The History of Ancient PalestineBy Gosta W. Ahlstrom

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The History of Ancient PalestineBy Gosta W. Ahlstrom

In this magisterial work the history of the peoples of Palestine from the earliest times to Alexander's conquest is thoroughly sifted and interpreted. All available source material-textural, epigraphic, and archeological-is considered, and the approach taken aims at a dispassionate reconstruction of the major epochs and events by the analysis of social, political, military, and economic phenomena. The book, chronologically structured, is indispensable for the study of the Hebrew Bible and of the ancient Near East.

  • Sales Rank: #448790 in Books
  • Published on: 1993-08-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x 2.30" w x 5.98" l, 2.95 pounds
  • Binding: Paperback
  • 1026 pages

About the Author
Diana Edclman is a senior lecturer in the Department of Biblical Studies at the University of Sheffield.

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Kamis, 21 Januari 2016

Get Free Ebook Flying the Big JetsBy Stanley Stewart

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  • Sales Rank: #1030745 in Books
  • Published on: 2002
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .50" w x 6.25" l, 1.10 pounds
  • Binding: Paperback
  • 292 pages

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Selasa, 12 Januari 2016

Free Ebook Animal Heads: Trophy Heads to Crochet, by Vanessa Mooncie

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Animal Heads: Trophy Heads to Crochet, by Vanessa Mooncie

About the Author

Vanessa Mooncie spent many happy hours as a child sitting with her mother and grandmother learning to knit and crochet. She went on to study fashion and textile design and became a children's wear designer, illustrator and interior designer. Vanessa now specializes in silkscreen work (www.vanessamooncie.com) and designing crochet jewelry through her company Kissy Suzuki (www.kissysuzuki.com).  She lives with her family in a rural village in the south of England. Vanessa has written many successful books for GMC Publications, including Animal Hats, Crocheted Wild Animals, Sew Adorable, And Sew to Bed and Crocheted Sea Creatures. She is also a regular contributor to other craft books and magazines.

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Product details

Paperback: 192 pages

Publisher: GMC Publications (January 19, 2016)

Language: English

ISBN-10: 178494064X

ISBN-13: 978-1784940645

Product Dimensions:

8 x 0.5 x 10 inches

Shipping Weight: 1.5 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

77 customer reviews

Amazon Best Sellers Rank:

#116,115 in Books (See Top 100 in Books)

If I reviewed it solely on how much I love the concept and the outcome of my projects, I would want to give it 10 stars if I could. I love the projects I have made. I started with the mouse head, it took me only a few hours to complete. Then I moved on to the lion head, it took me a few weeks because I didn't work on it every hour of every day. They both turned out wonderful. The book has beautiful pictures and a great concept for crochet designs.Now the reason for the 3 stars. The book is written in UK terms, with no indication that they are UK terms. I figured it out by comparing the photos and the written pattern. If you are going to sell a product in the US, please make sure you indicate that the terms are not in US. Once I figured that out, I was good to go. It's easy to find the conversion online of what the UK term means in US terms if you do not already know. Next, like other reviewers have mentioned, the patterns are not concise and clear. I had to go between the written pattern and the diagram. If you do not know how to read crochet charts, this will be a tough book for you. There are steps in the book that are unclear, I had to frog 10 rows on my Lion because I realized I was doing it wrong. The whole pattern of putting the head together had instructions, however when it came to final assembly, it was basically, figure it out on your own. This book does not have detailed instructions on placement, how and where to attach hair, eyes, nose - shaping of features, it's all very basic instructions and then you are on your own. There are also a lot of references to other patterns so you are jumping around in the book a lot. For example, use this part of the Ram pattern to start the Zebra pattern. It would have been just as easy for them to just reprint it, like they were trying to save ink instead of making you go all over the book just to make one pattern - but that is a pet peeve of mine.Overall, I love the outcome of the 2 I have made so far, I will continue to make patterns from the book. If the others I make are easier, I may re-assess my 3 star rating. However, I believe the mouse is the easiest in the book and the Lion is probably one of the hardest so I have experienced both ends of the spectrum. I would recommend this book to experienced crocheters. It takes time, and patience for the final product but it is very worth it.

My mom bought me this book and as soon as it arrived I started on the zebra head. In my excitement i didnt read or look through the book so i got confused and had to frog when i learned it was written in UK terms and i was reading it in US terms. So after calming myself and frogging what i had done i started over slower this time and still got confused and upset. Took a break had some tea came back to it an hour or so later and started again. This time something clicked and it has been smooth sailing ever since. Im breezing right through the pattern and its turning out lovely. I would say if you are not an experienced crocheter this is probably not the book for you just yet. Everyone writes patterns differently and her style is a bit hard to work out at first but once you have it its well written and easy to follow. The heads are actually very good sized as the nose fits very loosely over my fist. Im hoping to make a stag and bear to hang at our campsite when we go camping lol :) The zebra could easily be worked into a horse or even unicorn by just omitting the color changes. Very happy with this book :)

I got this with hesitation. The reviews had me a little uncertain. Primarily the complaint that instructions were difficult to follow. I have no problem with instructions. First it is in UK terms. There is a guide to crochet that demonstrates the stitches. UK stitches are simple named different. UK double crochet is US single crochet and such. So looking at in book guide and or going on line for conversions is a simple step. Next are the instructions. We are a little spoiled in US. The greater percentage of instructions are written out in long hand. Here the instructions are printed as a circular graph. Stitch type are marked as symbols. There are written instructions too, but there can be confusion because the terms are UK. So a little care is needed. I have no problem with graphs.. Many, many years ago, I subscribed to crochet magazines. 99% of patterns were done this way some with UK terms. There were few written instructions in these magazines. Allowing for this the instructions are not to difficult to follow. There is a lot of working in rounds here. So have a way to mark it. I personally do not like stitch markers. I use a length of left over bright contrasting yarn. The color depends upon the primary color I'm working with. I weave it loosely at slip stitch point. I have a knitting/crochet hook tool for determining size. Mine has UK and US sizes on it. So hook size is no problem. The pictures are great. I especially like the chapter on care of item after completion. Another suggestion for dust removal is masking tape. The type that leaves no adhesive residue! It can remove dust bunnies from your items hard to reach places easier.

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Rabu, 06 Januari 2016

Ebook CDN ED New SocietyBy Robert J. Brym

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CDN ED New SocietyBy Robert J. Brym

  • Sales Rank: #3904283 in Books
  • Published on: 2009-12-30
  • Number of items: 1
  • Dimensions: 11.16" h x 1.00" w x 8.75" l,
  • Binding: Hardcover

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